This exhibit opens February 11, 2017 at the Cincinnati Art Museum:
The Cincinnati Art Museum’s Howard and Caroline Porter Collection is the largest repository of the woodcuts of Kosaka Gajin outside the family in Tokyo, Japan. This exhibition celebrates his prints capturing the beauty of Japan’s landscape and architectural monuments in a way that is totally modern in its individualized expression, not unlike the era’s action painting in the West. This exhibition of his later woodcuts will be the first solo exhibition of the artist’s work in the United States.
Ticketed – free for members.
Don't forget to put these shows on your calendar:
This exhibition features groupings of intricate artworks masterfully created from a wide array of materials including: wood, lacquer, ivory, bone, horn, paper, metal and stone
Experience life in the 1950s by putting your feet up on the couch, playing a record, peeking in drawers and rolling in the grass in a full-size prefabricated Lustron home built inside the museum at the Ohio History Center.
Extending the legacy of its founder Mrs. Hattie Bishop Speed, the museum’s grand reopening will turn a new light on the Speed’s wide-ranging collections.
This exhibition allows guests the rare chance to view paintings from all sides, including the backs where interesting details about their history, composition, and condition reside.
Curated by Melvin & Bren Simon Director and CEO, Dr. Charles L. Venable, this installation features gifts from our friends and donors to the Indianapolis community and will become a new holiday tradition at the IMA
Throughout her career, Brazilian artist Sandra Cinto has developed a rich vocabulary of symbols and lines to create lyrical landscapes that swirl between fantasy and reality.
The movement of water has become increasingly important in the work of Brazilian artist Sandra Cinto, from churning seascapes and rhythmic ocean waves to the graceful cascade of glacial passage.
A city can be understood as a dense site of social connections, material strata, political conflicts, and historical inscriptions. It can also be understood as a ceaseless process of becoming. Becoming what?
What can a photography portrait tell us about a person? What can you learn from someone by asking them a single question? What can the dreams of a city’s residents tell us about the city?
Thoroughly Modern was developed to begin where the chronology of Women Artists in the Age of Impressionism ends. The exhibition presents the work of several women artists and designers active in the early and mid-twentieth century (1900–60)